Gloria in Excelsis Deo and “Angels We Have Heard on High” (#182)

Isn’t it interesting that many of our Christmas carols have something to say about angels?  We sing of them directly in “Hark! The Herald Angels Sing, “Angels from the Realms of Glory,” and also in “Angels We Have Heard on High,” as well as in many others which reference the angels in one or more of the stanzas.  And that last one is the focus of this study, a joyful carol with origins in France before being translated into English, “Angels We Have Heard on High.”

But this angelic dimension shouldn’t surprise us, since these glorious created beings are constantly worshiping before the Lord of glory, watching His plan of redemption worked out through the centuries.  We read of their continuing interest in this divine work of redemption in 1 Peter 1:12.  “It was revealed to them that they were serving not themselves but you, in the things that have now been announced to you through those who preached the good news to you by the Holy Spirit sent from heaven, things into which angels long to look.”  What an intriguing idea, that angels long to look into these things!

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The Polish Carol “Infant Holy, Infant Lowly” (#181)

“Infant Holy, Infant Lowly.”  What a simple and yet profound fact that is!  Charles Spurgeon said that here at Christmas-time we try to grasp the enormity of the beauty and mystery and marvel of that statement.  His words are so direct and almost stunning when he writes that “the infinite has become an infant.”  We can read the scriptures and describe the history and articulate the doctrines surrounding the incarnation.  But we have not adequately embraced all of this until we bow in amazed adoration of the God who became man. 

The Apostle Paul has set this before us in Philippians 2 where he wrote of the humiliation and exaltation of Christ.  The humiliation was not just in Jesus’ death and burial.  It was also in His becoming a man, or more astonishing, a baby.  Someone has said that thousands of babies have become kings, but only once has a king become a baby!  In one of the Narnia stories, “The Last Battle,” C. S. Lewis wrote of this in these marvelous words as Lucy gazed at a stable. 

“Yes,” said the Lord Digory, “Its inside is bigger than its outside.” “Yes,” said Queen Lucy. “In our world too, a stable once had something inside it that was bigger than our whole world.

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Isaiah 40 and “Comfort, Comfort Ye My People” (#180)

Most of us are familiar with metrical Psalms in which the actual text of Scripture is set in a form that enables people to sing God’s Word.  Almost all hymnals have Psalms 23 and 100 in this format.  When we were younger, we were doing this in a very simple way when we learned to sing Bible verses in the “Scripture Songs” we sang in Sunday School and Vacation Bible School.  In fact, that’s long been an excellent way to memorize verses used in children’s ministries like the Good News neighborhood Bible clubs with Child Evangelism Fellowship.

In addition to singing well-known Bible verses and metrical Psalms, there are also many hymns which are based very closely on the words of a Scripture passage, some almost to the point of being a metrical versification.  One such hymn is the wonderful advent hymn, “Come, Comfort Ye My People.”  It follows very closely the words of Isaiah 40:1-2.  This passage marks a significant transition in the book of Isaiah.  After the early chapters of historical events and divine warnings about impending judgment, God gave Isaiah words of hope that begin at chapter 40, the hope that despite their sin, God would deliver them.  The chapters following include the marvelous prophecy of the atoning work of the suffering servant in Isaiah 53.

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Greensleeves and “What Child is This?” (#179)

When we sing our Christmas carols, it’s helpful to know something about their origin in regard to both words and music.  Sometimes the stories attached to them are quite surprising.  And here in the case of “What Child Is This?” the surprise includes a possible musical connection to the infamous 16th century British monarch, Henry VIII, and a love ballad to “my lady Greensleeves.”

But of first importance is the origin and meaning of the text.  The words come from the pen of an insurance agent by the name of William Chatterton Dix (1837-1898), an Anglican layman, the son of a surgeon in Bristol, England. He spent most of his life as a businessman, working as a manager for the Maritime Insurance Company in Glasgow, Scotland. We know of his church affiliation only through his hymns. 

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Punctuation and “God Rest You Merry, Gentlemen” (#178)

One of the oldest English Christmas carols is “God Rest Ye Merry, Gentlemen,” having its origins at least as far back as the 15th century.  An early version of this carol is found in an anonymous manuscript, dating from the 1650s. It contains a slightly different version of the first line from that found in later texts, with the first line “Sit yo merry gentlemen.” While almost everyone is familiar with it, few pronounce it correctly as a result of confusion over the punctuation.  It all depends on where the comma is placed!  Most people probably read it as if the comma comes after “ye,” with the result that we sing “God rest ye … merry gentlemen,” as if these merry gentlemen are weary and need rest.  But the correct reading is “God rest ye merry … gentlemen.” 

Placing the comma after the word “merry” means that we are singing an old English literary expression in the use of two archaic words, specifically “rest” and “merry.” The word “rest” meant to keep or settle into a lasting condition, and the adjective “merry” had a wider meaning of prosperous, pleasant or joyful in early modern English. The sentence could possibly be rewritten as “God give you peace, gentlemen” or “God grant you joy, gentle ones.”  So when we sing, we should pause briefly after the word “merry,” as we are actually speaking to these gentlemen!  And some variants give the pronoun in the first line as “ye” instead of “you,” in a pseudo-archaism. In fact, “ye” would never have been correct, because “ye” is a subjective (nominative) pronoun only, never an objective (accusative) pronoun.

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Thanksgiving and “Count Your Many Blessings” (#177)

Johnson Oatman, Jr

In many ways, Thanksgiving is the quintessential American holiday.  Highways and airports are clogged with people traveling from near and far to be together for the holiday weekend.  While every culture celebrates times of thankfulness, the America Thanksgiving is unique in its connection with our national and cultural history, dating back to the first Thanksgiving in 1621 with the English Pilgrims and Wampanoag Native Americans at Plymouth, Massachusetts. 

Thanksgiving is a day filled with nostalgia.  And there’s more to the holiday than turkey, stuffing, and pumpkin pie.  It’s also more than just recalling the blessings we enjoy.  It can be a celebration that is terribly self-focused if not centered on gratitude to God.  As we sing each week in the Doxology, “Praise God from Whom All Blessings Flow.”  It is consistent with James 1:17 where we read that “every good and perfect gift is from above.” Until 2023, every Presidential Thanksgiving proclamation has acknowledge that we are indebted to God for all the blessings we enjoy.   (See especially the first one from George Washington in 1789.)

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Suffering Christians and “Commit Now All Your Griefs” (#175)

Paul Gerhardt
Paul Gerhardt (1607-1676)

Suffering is an unavoidable reality in this life for all people, whether Christians or not.  It takes many forms, from illnesses and disasters to persecution and old age.  We were not designed for pain and sadness, but sin’s curse has brought all forms of sadness and misery into creation.  It will not always be so, for Christ’s return will usher in the glorious eternal age of the new heavens and new earth in which, as Revelation 21:4 describes it, “He will wipe away every tear from their eyes, and death shall be no more, neither shall there be mourning, not crying, nor pain anymore, for the former things have passed away.” But until then, sorrow will be a part of our lives.

The Bible records every form of suffering that afflicts mankind, from the records of Job’s afflictions at the hand of Satan, to David’s fleeing the jealous anger of Saul, to the martyrdom of Stephen as the as-yet-unconverted Saul stood by.  God not only shows us the reality of suffering, He even gives us principles and promises to sustain us when we are struggling and words to sing in Psalms that show us how to keep our eyes on the Lord who allows these times to come, and who promises to use them to accomplish His purposes through us, bringing glory to Himself as well as deeper trust in Him for ourselves. 

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George Beverly Shea and “I’d Rather Have Jesus” (#176)

Anyone who has ever attended a Billy Graham Crusade will recall hearing the smooth bass-baritone voice of George Beverly Shea (1909-2013 … yes, he lived to be 104!) singing what many regarded to be his signature song, “I’d Rather Have Jesus.”  That, along with “How Great Thou Art,” have become permanently associated with him.   

The crusade choir composed of hundreds of singers from local churches led the singing under the director of Cliff Barrows, all seated beneath the huge white banner, with the words from John 14:6, “Jesus said, I am the way, the truth, and the life.”  It’s hard to picture one of those crusade meetings without hearing in your mind the sound of Bev (as he preferred to be called) singing, and then Billy standing up at the podium as he delivered his sermon, his Bible held high and folded open in one hand with his index finger of the other hand pointing to the audience as he said, “The Bible says ….”

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Bob Kauflin and “O Great God” (#174)

John Piper first became well-known as a result of his 1990 book, “The Supremacy of God in Preaching.”  At the very beginning, he wrote the memorable statement that every sermon should be about God.  That seems so obvious, but when one listens to much preaching today, from both liberal and conservative pulpits, it is very disappointing to discover how seldom that is the case.   Sermons are too often about us: how we feel, how we should act, how our lives can be improved, how to do a better job raising our kids, or managing our finances, or overcoming anxiety.  It’s as if the pulpit has been turned into a psychologist’s counseling couch for a group therapy session!  The gospel of what God has done for us in Christ has been exchanged for a false gospel of what should do to make the world a better place.

What we often refer to as the sovereignty of God is what Piper meant by the supremacy of God.  And this perspective transfers inevitably from preaching into living, as our sermons ought to be helping us live more continually and consistently with a God-focused world and life view.  The more we hear about the greatness of God in the sermons that feed our souls, the more we will instinctively think about everything happening around us and within us with the realization that He is at the center of everything.  How desperately we need that reminder when the world, the flesh, and the devil keep trying to override that thought.

The theology of John Piper is nothing new or novel.  This God-centeredness fills the pages of Scripture as well as the annals of history, from King David to the Apostle Paul to St. Augustine to John Calvin to Charles Spurgeon.  We hear it and read it today in the publications of Al Mohler and R. C. Sproul and James Montgomery Boice and Sinclair Ferguson and Steven Nichols.  And in recent music we hear it from the writers associated with Getty Music and Sovereign Grace Music.

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George Herbert and “Let All the World in Every Corner Sing” (#173)

Everyone knows about the work of William Shakespeare (1564-1616).  And everyone knows about the King James Bible (1611).  And everyone knows about John Milton (1608-1674) and “Paradise Lost.” But not everyone knows about the poetry of George Herbert (1593-1633).   All four were contemporaneous in the early seventeenth century, what some would regard as the glory age of the highest peak of the English language.  One example of the fine literary production of that period is verses from Herbert which are often sung as the hymn “Let All the World in Every Corner Sing.”

George Herbert

George Herbert was an English poet, orator, and priest of the Church of England, about a century after the Protestant Reformation made its way to England.  His poetry is associated with the writings of the metaphysical poets, and he is recognized as “one of the foremost British devotional lyricists.” He was born in Wales into an artistic and wealthy family and largely raised in England. He received a good education that led to his admission to Trinity College, Cambridge in 1609.  He went there with the intention of becoming a priest, but he became the University’s Public Orator and attracted the attention of King James I.  He sat in England’s Parliament in 1624 and briefly in 1625. King James I (1566-1625), who initiated the translation of the Bible popularly known as the “King James Version,” respected Herbert and considered appointing him an ambassador. The King died before these hopes were fulfilled, so Herbert pursued his original career plans.

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